Side A:
1. Candy Shop 4:15:58
2. 4 Minutes 4:03:66
3. Give It 2 Me 4:47:68
Side B
1. Heartbeat 4:03:28
2. Miles Away 4:48:69
3. She's Not Me 6:04:38
Side C:
1. Incredible 6:19:38
2. Beat Goes On 4:26:67
3. Dance 2Night 5:03:07
Side D:
1. Spanish Lesson 3:37:45
2. Devil Wouldn't Recognise You5:08:
3. Voices 3:39:35
Bonus 12
Side A:
1. 4 Minutes (Tracy Young Mixshow)
Side B:
4 Minutes (Peter Saves New

In 1969, Boz Scaggs debut release on Atlantic Records was a stunning classic recording that has earned its place in the history of rock, blues and popular music. Celebrating its four decade birthday, Friday Music has located the original session tapes, which havent been available since the early seventies, and have spared no expense with the mastering process to deliver what we feel is the definitive audiophile reissue of the year!

The nine songs that make this incredible album such a winner has a lot to do with the musicianship, writing skills, and the great voice of Boz Scaggs .
Fans remember exciting blues oriented tracks like Im Easy and I ll Be Long Gone as some of the most important songs of this much loved platter.

With the famous Muscle Shoals studio sound, along with some of the finest musicians in the business, Boz and company delivered nine tracks of whack, that have stood the test of time, including one of his most famous works Loan Me A Dime, which hands down opened the doors for a lot of the cross over blues music that is being recorded today. This much emulated and loved work as well as the other great songs from the album feature the sorely missed guitar styling of the late Duane Allman.

For the first edition run of this masterwork, Friday Music is including a textured gatefold cover, along with the original graphics, poly lined protective album sleeve, and poly vinyl cover for the album cover.

Pour your favorite glass of wine, place the pristine audiophile master recording, impeccably mastered by Joe Reagoso (Johnny Winter, Hall and Oates, Doobie Brothers) on your turntable, crank it up and enjoy!

The Bonus DVD is 28:17 in length and features the following tracks:

Mike Post Theme (from the new album Endless Wire)

And 4 classic hits: Won't Get Fooled Again Baba O Reily Behind Blue Eyes Who Are You

Heavyweight 180gm vinyl LP pressing. 2009 release, the Punk trio's long-awaited eighth studio album,. The album is the best-selling trio's first studio album since 2004's two-time Grammy Award-winning Punk Rock opera American Idiot, which debuted at #1 on the Billboard chart, spawned five hit singles, and went on to sell more than 12 million copies worldwide. 21st Century Breakdown is divided into three acts: "Heroes and Cons," "Charlatans and Saints," and "Horseshoes and Handgrenades," and follows a young couple, Christian and Gloria, through the mess and promise of the century so far. Songs include "Know Your Enemy", "21 Guns", "East Jesus Nowhere", "Before the Lobotomy", and "Restless Heart Syndrome."

When Lady GaGa was a little girl, she would sing along on her mini plastic tape recorder to Michael Jackson and Cyndi Lauper hits and get twirled in the air in daddy's arms to the sounds of the Rolling Stones and the Beatles. The precocious child would dance around the table at fancy Upper West Side restaurants using the breadsticks as a baton. And, she would innocently greet a new babysitter in nothing but her birthday suit.

It's no wonder that little girl from a good Italian New York family, turned into the exhibitionist, multi-talented singer-songwriter with a flair for theatrics that she is today: Lady GaGa.

"I was always an entertainer. I was a ham as a little girl and I'm a ham today," says Lady GaGa, 22, who made a name for herself on the Lower East Side club scene with the infectious dance-pop party song "Beautiful Dirty Rich," and wild, theatrical, and often tongue-in-cheek "shock art" performances where GaGa - who designs and makes many of her stage outfits -- would strip down to her hand-crafted hot pants and bikini top, light cans of hairspray on fire, and strike a pose as a disco ball lowered from the ceiling to the orchestral sounds of A Clockwork Orange.

"I always loved rock and pop and theater. When I discovered Queen and David Bowie is when it really came together for me and I realized I could do all three," says GaGa, who nicked her name from Queen's song "Radio Gaga" and who cites rock star girlfriends, Peggy Bundy, and Donatella Versace as her fashion icons. "I look at those artists as icons in art. It's not just about the music. It's about the performance, the attitude, the look; it's everything. And, that is where I live as an artist and that is what I want to accomplish."

That goal might seem lofty, but consider the artist: GaGa is the girl who at age 4 learned piano by ear. By age 13, she had written her first piano ballad. At 14, she played open mike nights at clubs such as New York's the Bitter End by night and was teased for her quirky, eccentric style by her Convent of the Sacred Heart School (the Manhattan private school Nicky and Paris Hilton attended) classmates by day. At age 17, she became was one of 20 kids in the world to get early admission to Tisch School of the Arts at NYU. Signed by her 20th birthday and writing songs for other artists (such as the Pussycat Dolls, and has been asked to write for a series of Interscope artists) before her debut album was even released, Lady GaGa has earned the right to reach for the sky.

“This relentless restlessness liberates me,” Björk declares on "Wanderlust” from her 2007 studio album, Volta, which is also the dramatic concluding track of her new Voltaic live CD. “I feel at home whenever the unknown surrounds me.” Volta had been designed, Björk has said, as a journey, with the sound of fog horns and clanging bells linking individual tracks and artists from around the world making guest appearances, including Congolese band Konono No. 1, Malian kora player Toumani Diabaté, pipa virtuoso Wu Man, beat-master Timbaland, Lightning Bolt drummer Brian Chippendale and sublime chanteur Antony Hegarty.

The New York Times called it “a 21st-century assemblage of the computerized and the handmade, the personal and the global.” Voltaic, then, is a remarkable, multi-media document of what happened after the record was completed, a journey of a different sort as the ever-evolving singer assembled her live band, made a collection of typically amazing videos and one-step-ahead remixes, and toured the world for two years, making headline appearances at diverse venues and large festivals, including Glastonbury, Coachella and even Harlem’s Apollo Theatre.

She recorded the Voltaic live CD in one take at Olympic Studio in London with her new band, prior to her 2007 Glastonbury appearance, presenting the set she would play on tour – songs from Volta and new arrangements of such older material as “Pagan Poetry,” “All Is Full Of Love” and a thunderous version of “Army Of Me.” It’s a stunning performance, featuring cutting-edge computer technology, an old-school horn section and a female, flag-toting Icelandic choir – “bursting with raw life,” to paraphrase The Independent’s description of Volta.

180 Gram/Audiophile pressing
Original printed sleeve

While touring in support of last year's debut "Conor Oberst", Conor and The Mystic Valley Band began writing new songs. The result is the first album credited to this group. Oberst's songwriting and delivery remain an engaging presence, but the addition of songs by Taylor Hollingsworth, Nik Freitas, and Jason Boesel make for a multi-textured and colorful collaboration. The Mystic Valley band also includes Macey Taylor and Nathaniel Walcott.

The French twosome behind Daft Punk, Thomas Bangalter and Guy-Manuel De Homem-Christo, get away with an awful lot. They go around impersonating aliens and robots in their interviews, they put records out only once every three years, and they make music that evokes a million other artists--while not really sounding like any of them. The keyboard noodlings of Jean-Michel Jarre are in there somewhere, along with the otherworldly imagery and giant hooks of '70s rock icons like Boston or even Electric Light Orchestra. There are dashes of 1999-era Prince and oodles of new wave and disco cheese, from Harold Faltermeyer and Gary Numan to the Bee Gees, all set off with efficient house beats. So how have they managed to position themselves as electronic music's next great crossover artists? On Discovery, the follow-up to the 1998 worldwide smash Homework, the answer is obvious: they have no shame, and they know how to make us dance.

Starting off with the irresistibly hummable "One More Time," the record blows through a head-spinning array of styles and samples, creating a pop-culture stew of funky loops and dance-floor anthems. "Aerodynamic" eschews breakbeats for an Yngwie Malmsteen-ish guitar interlude that somehow ends up meshing in a crazy blend of stomping bass lines and hyped-up harmonics. "Digital Love" starts off silly and gets sillier, but the monosyllabic lyrics lull the senses just right, allowing the song's summery groove to grab hold with authority. "Harder, Better, Faster, Stronger" is a resounding standout amidst the retro/Vocoder deluge that transpired after Cher's Believe turned the kitchy disco device into a worldwide pop music trend, spinning a clever groove around an ever-escalating string of computerized seduction. Everywhere on the record, gigantic beats are dropped with pinpoint precision, giving songs a momentum that transforms repetitive melodies into sudden revelations. The record's only misstep, the aptly named "Short Circuit" utilizes a keyboard riff that is nails-on-a-chalkboard awful, but it can't keep this from being one of the best records of 2001. --Matthew Cooke