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Glass Shallot by Adam Baer | Adambaer.com: why is eminem the only ...Perhaps new concert
music is the place for listeners disgruntled with cotton-candy
pop and a dying community of quality songwriters. Perhaps, one day, they may even stumble upon some in the front of a record
store.
...http://glassshallot.typepad.com/glassshallot/2006/02/_in_the_spirit_.htmlChamber Music Today: Always Already New: iMix Playlist SharingBy definition, tracks by performers/composers that aren’t available in the iTunes
Store can’t appear in iMixes. There aren’t a lot of
classical or chamber
music iMixes out there yet, but there are more than 400000 iMixes that’ve been
...http://chambermusictoday.blogspot.com/2006/12/always-already-new-imix-playlist.htmlChamber Music Today: I Different Enchantments: Unexpected Uses of ...Then the
store tried Vivaldi. They’d read in the LA Times that Vivaldi was useful for this kind of infestation and had met with wide success in California. Yes, florid
variations in dynamics and tempi did disperse the crowd at the
...http://chambermusictoday.blogspot.com/2008/02/i-heart-different-enchantments.htmlChamber Music Today: Violin Physics, Chladni Patterns, Mysteries ...This technique is still
used today in modified
form by some luthiers to “tune” their plates. CMT: The first American scientist to embark on ‘big science’ of the violin was Frederick Saunders, an amateur violinist who was chairman of the
...http://chambermusictoday.blogspot.com/2007/05/violin-physics-chladni-patterns.htmlChamber Music Today: Assistive Technologies: Wheelchair Transfers ...She was a
music teacher for many years, and playing
music is perhaps the very most important thing in terms of quality-of-life for her. She
used to play in the morning before breakfast, for a couple of hours in the morning,
...http://chambermusictoday.blogspot.com/2008/05/assistive-technologies-wheelchair.htmlChamber Music Today: Tempi and Saliency: Psychophysiology, or Why ...Martens P. Glenn Gould's constant rhythmic reference point: Communicating pulse in Bach's 'Goldberg
Variations', 1955 and 1981.
Music Theory Online 2007; 13(4). Mechelli A, Friston K, Price C. The effects of presentation rate during
...http://chambermusictoday.blogspot.com/2008/05/tempi-and-saliency-psychophysiology-or.htmlChamber Music Today: Better Eyeglasses for Chamber Musicians?Harris’s old paper (link below) discusses a study that shows that sight-readers in
music use a different eye scan pattern to read
music from the pattern that they
use to read written language. To my knowledge, no subsequent publications
...http://chambermusictoday.blogspot.com/2007/11/better-eyeglasses-for-chamber-musicians.htmlChamber Music Today: Janáček’s Urbanism: Inner FrontiersDSM: And there are speed-zones where larger motifs provide strong hints to the listener, as to how to interpret the
music. Like a winding parkway through a residential area, or an esplanade with retail
stores separated from the main
...http://chambermusictoday.blogspot.com/2006/11/janaceks-urbanism-inner-frontiers.htmlSecrets of Stradivarius Explained | Wired Science from Wired.comExcited isn't quite the word, but it is pleasantly interesting and entertaining for
classical music enthusiasts. So few around . . . thanks for the article, regardless of when the news was news or if the findings are all inclusive, etc.
...http://blog.wired.com/wiredscience/2008/07/secrets-of-stra.htmlChamber Music Today: Schoenberg’s Pierrot Lunaire: il Surrealismo ...CMT: Though freely atonal, it doesn’t fully bear Schoenberg’s trademark tonal style: it includes canons like “The Moonspot” written in traditional canon
form, as well as meandering duets like “The Sick Moon.” Just the same, Schoenberg
...http://chambermusictoday.blogspot.com/2007/04/schoenbergs-pierrot-lunaire-il.html
